Making the most of… the Black Country
Creative Black Country started as an extension of the values, vision and passion held by a of a pool of Black Country organisations; Black Country Together (SCVO, WVSC, One Walsall, Multistory and Black Country Touring).
For decades, these organisations have been committed to working with local people in the Black Country enabling communities to thrive, be it through resourced opportunities, solution-based thinking or creative practice.
CBC’s journey began in 2014 with an inherited pocketbook of wisdom from which our mission grew. We very quickly learned that there was great potential to build on what existed in the locality, making the most of people and places. As we embarked on this exciting but daunting journey, our pocketbook was slowly replaced by an encyclopaedia of ideas from which our ambition flew.
Our programme is dynamic, with chaotic plans occasionally drenched in luck. We don’t always get it right, nor achieve what we want, but we always give it our best. At times we are naïve about the outcome, or uncertain about the impact. We are an evolving programme; learning and shaping along the way. As we mature and understand our successes and failures, we also realise a ‘certain constant’ that keeps all our activity in check. It is local people at the centre, forefront and within the sphere who make it work and make it meaningful.
As the programme evolves, so do we. We need the agility to respond to change and reflect society, whilst continuing to support the conditions for creative communities to thrive. Our contribution matters, however it should not dominate, and as we head into another phase or our programme we will once again re-shift to embody an even greater focus on place-based practice.
We are not the experts of co-creation or socially engaged practice, but we are great at making creative experiences happen, with and by local people.
Making the most of… Black Country talent
CBC works with communities in Dudley, Sandwell, Walsall and Wolverhampton to explore and develop new creative projects with local people in the places where they live. Our core aim is to encourage people in the Black Country to take part in more cultural activity. CBC is an action learning project funded by Arts Council England through the Creative People and Places (CPP) programme to engage audiences in areas where evidence shows people are less likely to take part in publicly funded arts and culture.
Creative excellence and innovation are key to CBC’s work; we want to encourage communities to get involved in our projects through a range of commission opportunities, co-creation of work and embedding that work in people and place while ensuring a quality experience for all involved.
We have always taken a hybrid approach with our outputs. Our programme will always offer a number of ways to engage; live activity: local, online and global, and in print and personal. We share incredible local stories using curated editorials, beautiful artwork and specially designed print.
We try out new things; we know not all projects and ideas will work out how we thought it might (or should), but this won’t be a barrier to giving things a go or trying out new approaches. We use human centred design to guide our approach – sometimes it is messy, it requires iteration, but we use this learning and aim to put it to good use.
We take time to build relationships; some may be more fleeting while others have been with us from CBC’s start. It is important that we journey with the people we engage with to see where it takes us so that we can all learn.
Our local communities know the people they work with, know the people around them; they are neighbours, friends, co-workers, carers – they hold the knowledge and can bring people together with shared interests to create work that is relevant to them and their lives.
The Black Country is made up of an abundance of talent and it is true that we don’t always shout about it; but we started to for our 100 Masters campaign. The Black Country has a self-deprecating sense of humour, which is why we introduced the Festival of Funny Things to Wolverhampton and aimed to discover more about our Funny Roots. The Black Country has some extraordinary untold stories and that’s why we shared the Desi Pub project around the world.
When the COVID pandemic hit our aim was to act swiftly to react to the changes that were forced upon us so we introduced a new strand of commissioning called Creative Connections. It was important to CBC to ensure that our artists and communities still felt supported and connected in some way. We also knew the importance of staying positive while producing and supporting projects that could keep people safe with social distancing and lockdown rules in place.
The Black Country community rose to the challenge with 30 projects that brought joy and creativity to the region through a variety of wonderful, innovative, simple and strange ideas.
Making the most of… cross-sector partnerships
CBC has been a great advocate of cross-sector partnerships, and we are proud of the substantial inroads made within the business sector. It demonstrates creative participation is possible everywhere and draws out the potential to bring together business and culture.
Cross-sector partnerships have benefited from an exchange of investment to skills and resources. CBC has built relationships with business from scratch with the starting point being the Black Country Chamber of Commerce.
Networking meetings were attended, which have led to more opportunities to build further relationships and understand how we can support each other.
During our six years, the following events and relationships have played a key role in the two sectors coming together... Read our CASE STUDY here.
The old Starworks warehouse made for the perfect space to share the work of 100 Masters
Making the most of… unusual spaces and places
It is important to us that we reach audiences in the places that they use, that are familiar to them and where they feel comfortable and safe. Many of our audiences and partners have never (or rarely) been to a ‘traditional’ art gallery or theatre space.
To address this we aim to use non-traditional spaces so that we can reach and expose unengaged communities across our projects. Read our CASE STUDY here.
Making the most of… the voluntary service councils
Integral to CBC’s work is our unique partnership with the four Black Country Voluntary Service Councils.
The partnership has given us access to thousands of people across the community and helped us support hundreds of creative projects with expert advice and knowledge-sharing. Read our CASE STUDY here.
You can download the full 6 year summary document here.